♆ The Macho Response ♆

                                   Chronicling The Crazy Results Of Crazy Beliefs On A Crazy Civilization

Sunday, November 3, 2013

Civil Wrongs



In 1991, I read an editorial in the Richmond Afro-American newspaper commenting on a survey conducted by Professor Howard Schuman, a University of Michigan sociologist and research scientist.

“According to Dr. Schuman,” the editorial noted, “White Americans think of integration as meaning one Black in a group of 15 Whites where the Whites are in complete control. Black Americans, on the other hand, think of integration as meaning a ratio of 50 to 50 where either a White or Black person could be dominant.”
The editorial quoted Dr. Schuman as saying “It is not that survey respondents say one thing and secretly believe another. But, when White Americans say they favor integrated schools or neighborhoods, what they really mean is a few Black students or families in a predominately White environment.”


The Crack Emcee at 1:09 AM
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"If Paul Mooney and Nina Simone had a baby, The Crack Emcee would be the result" - LA WEEKLY

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The Crack Emcee
The Crack Emcee was born in Los Angeles. His mother had a thing with Jazz legend Charlie Mingus (producing a sister). Crack served in the Navy before settling into the Punk scenes of Los Angeles and San Francisco. He went on to join the Beatnigs (1988) Consolidated (1992) Broun Fellinis (1995) and then started his own band, Little White Radio (1998). The Crack Emcee has also been releasing a series of critically acclaimed solo mix tapes - starting with 1995's Newt Hates Me - that have solidified his reputation. This output morphed into his solo album, the anti-war Rap's Creation (2002) which was nominated for Album Of The Year (in, both, Rolling Stone and the Village Voice) and that year's list of Hip Hop's Best Anti-War Songs. Crack is listed (twice) as `an artist dedicated to integrity in Donnell Alexander's memoir, Ghetto Celebrity, and is featured on the CD, Just Payin' The Rent: The Amoeba Music Compilation, Vol. II.
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