The Ones

"There are reasons why films of this vein are more readily produced than others. Both economic and social values influence the resurrection of historical accounts like the Amistad while Gabriel Prosser, Harriet Tubman and Charles Deslondes suffocate in obscurity.

One thought is that white audiences should never be left feeling guilty about their ancestors’ sins. Many can walk out of the theater and say to themselves: 'I would’ve been more like Brad Pitt if I was alive during Slavery,' even though residue of the system still permeates around them today — and one could argue that there’s a shortage of mass white outrage over the fact.

In essence, the Prossers and Tubmans of our past deny Hollywood this safety net. They resisted oppression and sacrificed their lives to liberate others.

But more importantly, they don’t leave much room for white saviors. They are the black Bravehearts. And for many of us, we hope to see the day when they’re finally seen in full heroic form on the big screen."