♆ The Macho Response ♆

                                   Chronicling The Crazy Results Of Crazy Beliefs On A Crazy Civilization

Tuesday, December 24, 2013

Malcolm Xmas




"Anti-black violence was a regular feature of African-American life throughout the Jim Crow South, and especially in Louisiana. [Duck Dynasty's Phil] Robertson's recollection is a tremendous whitewash that would be stunning if not for the sad reality of our national memory. For as much as Americans celebrate the lives of men like Martin Luther King Jr. and women like Rosa Parks, there's little awareness of what Jim Crow looked like for ordinary blacks. The quotidian violence that defined the era — from forced labor camps to attacks on whole communities — has vanished from our collective consciousness, if it was ever there to begin with.

It's no wonder we don't want to talk about Phil Robertson's other, impolitic comment, since — when it comes to remembering the past — he's just like the rest of us."


The Crack Emcee at 7:11 PM
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"If Paul Mooney and Nina Simone had a baby, The Crack Emcee would be the result" - LA WEEKLY

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The Crack Emcee
The Crack Emcee was born in Los Angeles. His mother had a thing with Jazz legend Charlie Mingus (producing a sister). Crack served in the Navy before settling into the Punk scenes of Los Angeles and San Francisco. He went on to join the Beatnigs (1988) Consolidated (1992) Broun Fellinis (1995) and then started his own band, Little White Radio (1998). The Crack Emcee has also been releasing a series of critically acclaimed solo mix tapes - starting with 1995's Newt Hates Me - that have solidified his reputation. This output morphed into his solo album, the anti-war Rap's Creation (2002) which was nominated for Album Of The Year (in, both, Rolling Stone and the Village Voice) and that year's list of Hip Hop's Best Anti-War Songs. Crack is listed (twice) as `an artist dedicated to integrity in Donnell Alexander's memoir, Ghetto Celebrity, and is featured on the CD, Just Payin' The Rent: The Amoeba Music Compilation, Vol. II.
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