♆ The Macho Response ♆

                                   Chronicling The Crazy Results Of Crazy Beliefs On A Crazy Civilization

Tuesday, January 21, 2014

White People Have Always Been Killing The Music Biz



"Blues was invented in America, and so was Rap.  Blues led to Rock n’ Roll; Rap transformed the entire landscape of modern pop music.  Simply stated, without the African-American influence, American music would probably suck.

So why, if the influence of Black artists on music is so massive, are there hardly any powerful Black executives in the modern music industry?

Why are companies like Pandora, Live Nation, Apple, Spotify, AEG, Warner Music Group, SXSW, Clear Channel Communications, and Universal Music Group dominated by white executives, often from privileged backgrounds and educations?

Why do executives like Troy Carter and Chuck D always feel like ‘token Black guys’ at major music industry events?


Sure, you can rattle off the names of hyper-successful African-American music industry executives like Jay Z, will.i.am, and Carter, but those are exceptions that prove the rule.  Because after meeting with hundreds of music industry companies and probably thousands of executives, attorneys, technologists, and investors while running Digital Music News, I can safely say that bumping into a successful Black music industry executive is a rare event."


The Crack Emcee at 7:13 AM
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"If Paul Mooney and Nina Simone had a baby, The Crack Emcee would be the result" - LA WEEKLY

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The Crack Emcee
The Crack Emcee was born in Los Angeles. His mother had a thing with Jazz legend Charlie Mingus (producing a sister). Crack served in the Navy before settling into the Punk scenes of Los Angeles and San Francisco. He went on to join the Beatnigs (1988) Consolidated (1992) Broun Fellinis (1995) and then started his own band, Little White Radio (1998). The Crack Emcee has also been releasing a series of critically acclaimed solo mix tapes - starting with 1995's Newt Hates Me - that have solidified his reputation. This output morphed into his solo album, the anti-war Rap's Creation (2002) which was nominated for Album Of The Year (in, both, Rolling Stone and the Village Voice) and that year's list of Hip Hop's Best Anti-War Songs. Crack is listed (twice) as `an artist dedicated to integrity in Donnell Alexander's memoir, Ghetto Celebrity, and is featured on the CD, Just Payin' The Rent: The Amoeba Music Compilation, Vol. II.
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