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Saturday, February 15, 2014

Your Truth



Are the Grammys even relevant to hip-hop?...the Grammys tends to be a measure of market success (which arguably doesn't necessarily equate to talent). Selling records isn't the same as making good hip-hop and Macklmeore's sickly sweet 'hip-pop' fits straight into the mould of easily digestible rap lyrics.

The juxtaposition of The Heist and Good Kid, M.A.A.D City exposed to an almost surrealistic level that hop-hop and the Grammys aren't relevant to each other. You'd think anyone evaluating Best Rap Album would be able to see how grossly different these albums are - and why the former simply doesn't cut it. But instead of hating Macklemore and hating the Grammys - I find it easier to simple not acknowledge either.


The Crack Emcee at 10:45 PM
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"If Paul Mooney and Nina Simone had a baby, The Crack Emcee would be the result" - LA WEEKLY

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The Crack Emcee
The Crack Emcee was born in Los Angeles. His mother had a thing with Jazz legend Charlie Mingus (producing a sister). Crack served in the Navy before settling into the Punk scenes of Los Angeles and San Francisco. He went on to join the Beatnigs (1988) Consolidated (1992) Broun Fellinis (1995) and then started his own band, Little White Radio (1998). The Crack Emcee has also been releasing a series of critically acclaimed solo mix tapes - starting with 1995's Newt Hates Me - that have solidified his reputation. This output morphed into his solo album, the anti-war Rap's Creation (2002) which was nominated for Album Of The Year (in, both, Rolling Stone and the Village Voice) and that year's list of Hip Hop's Best Anti-War Songs. Crack is listed (twice) as `an artist dedicated to integrity in Donnell Alexander's memoir, Ghetto Celebrity, and is featured on the CD, Just Payin' The Rent: The Amoeba Music Compilation, Vol. II.
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