"Albee marshals the,...ideas of the unstoppable, unimaginable, irresistible power of erotic love… and puts them in the mouth of a man besotted with a nanny goat."-- Eve Tushnet, reviewing The Shakespeare Theatre's production of Noel Coward's 1932 Design for Living - and contrasting it with Edward Albee's 2002 The Goat, or Who Is Sylvia?: Notes Toward a Definition of Tragedy - revealing adulterers, the French, teenagers, hippies, and other selfish types, for the fools they are - and the fools they've forced us all to become - in The American Spectator.
