"THE attitude of white, liberal Hollywood toward African- American churches has long been one of almost participatory respect. Whether it’s Gospel Brunch at the House of Blues on Sunset Boulevard, or the Blind Boys of Alabama on the iPod, or a serious — reverential — mention of the Southern Christian Leadership Conference over dinner, the understanding is clear: the black church is a foundational institution in the history of the civil rights struggle, and its music (although it makes reference to Jesus Christ as a personal savior) is smoking hot.
It was only recently that the A-list discovered that this love is unrequited. Last month, Proposition 8 passed, making gay marriage illegal in California, and the demographic that lent insult to injury was the state’s African-American voters.
They came to the polls in record numbers to support Barack Obama, and they brought with them a fiercely held and enduring antipathy toward homosexuality: 7 in 10 blacks voted in support of traditional marriage. Whether that was the game-changer or not is a question for near-constant debate. Many gay activists have begun quietly to suggest that had Hillary Clinton been the Democratic nominee, Prop 8 would not have passed.
Of the values progressives hold dear, none can be as central or as cherished as the promotion of diversity. It is a word that has become almost a term of art."
-- Caitlin Flanagan and Benjamin Schwarz, showing how dark things can get when so-called "artists" get drunk with power and decide to mix all the colors together, in The New York Times.